Why might you want to do this? Well perhaps you have a nice high to miss synth noise but you want to play some low notes and you don’t want the low end of it to mess with your bass. In this instance the span of the KTR FLT is only 2 octaves – so if you had a 2 octave keyboard the filter would be completely shut on the lowest key/note and progressively opening until it’s fully open on the highest/last key/note. However we don’t all have 127 key keyboards – so you might not hear very much going on with your keyboard.

So for example by default (if you set up the KTR on the filter cutoff as above) the higher the note you play on your keyboard the brighter/more open the filter will get! This window shows a linear progression of the filter cutoff depending on what notes you play. Now open up the KTR FLT tab from the main window. Let’s look at how you can use these when creating sounds.

Vel (Velocity): This modulation source relays velocity data from your.Note that relatively few MIDI keyboards send AT (Aftertouch): The modulation source provides the aftertouch value.Random value at the output of the TrR modulation source. TrR (Trigger Random): Each played MIDI note trigger generates a new.KTr (Keytracking): Generates a modulation signal depending on the.Modulation data triggered by an external MIDI keyboard or MIDI sequence to The best place to start would be the manual (page 83).Īt the left, there are four small yellow controllers available which can beĪssigned to modulation destinations in MASSIVE. Instead i want to talk about the 4 icons on the left hand side of the panel. I’m not going to talk about assigning the 8 knobs on the right panel of this window because Christian did a good job of explaining that in is his macro control video post. We’re going to cover the icons KTR, VEL, TrR, AT.

This post walks through the features of the Macro Control panel and how you might use the functions.

Midi macro martin mpc